Tuesday, 25 September 2012

Review - This Time Next Year – Drop Out Of Life


This Time Next Year’s sophomore record is an absolute pop punk banger, laced with huge tunes throughout, and which brings a stack of energy, big hooks and juicy choruses into the fray which New Found Glory would be proud of.

It sounds like classic pop-punk, and as a record, there are so many big moments that grip you from the very first listen. The title track, Better Half and Living Hell are a cracking opening triumvirate which brings you in straight away; reminiscent of NFG, a little Green Day, and those classic “American Pie” bands such as Sugarcult, Treble Charger, etc. 

A perfect summer record, Drop Out of Life would sound pretty sweet blasting out of a stereo on long summer drives. With so much energy packed into this record, there is no shortage of energetic pop punk bounce, backed up with memorable tunes.

Matchbook is an absolute beast of a tune, rocking a driving opening onslaught, which bursts to life from the get-go, and possessing as anthemic a refrain as you will hear on this record. My Side of Town is no slacker either with yet another huge chorus.

All in all, this is nothing other than a really great summer record.

A very enjoyable listen.

8.5/10

Review - The Story So Far – Under Soil And Dirt


As a record, the debut cut from The Story So Far sees the Californian pop-punkers coming out of the blocks with a solid and, at times, hugely enjoyable offering. With a sound often akin to New Found Glory mixed with something like The Wonder Years, Under Soil And Dirt is packed with big melodies, and some great hooks, with some working better than others.

Quicksand is the first real hint of genius in their ranks, hinting at a bright future, and a knack to pen a great chorus, which hits home impressively with a driving guitar lead and an energetic approach. It is bread and butter pop punk, but when it sounds this good, and is executed so perfectly, you have to be impressed. Swords and Pens is another relentless banger, whilst High Regard is another great chorus and beat. Elsewhere, Four Years possesses another driving riff and hits hard, whilst Closure is a great way to round of a really good record.

There is no end of tunes to get any crowd moving on any given day, and although it may not be as strong as it ploughs towards it climax, at points, this is a solid and enjoyable record which hints at great potential.

With another record packed with bigger hits, and bigger choruses (still!) these boys could give some of the top dogs a run for their money.

7/10

Review - Anthony Green – Beautiful Things


Circa Survive’s ex-Saosin frontman goes solo with this, his second lone effort, whilst in between records with his day job.

Mixing in a lot of country, alt-folk influences, ultimately this record is pretty forgettable, and lacks any real depth to make an impact.

It’s brightest moment comes in the form of the collaboration with Canadian electro-songstress Lights (“Just To Feel Alive”), but other than that, this one was destined to the fast-forward button early on.

Doesn’t do much for me I’m afraid.

Avoid

2/10

September 2012 – The month in music (and everything else . . . )

September 2012 – Chart

Review – OPM – Bristol Croft – Tuesday 18th September 2012


Unfortunately from The Cooler (just down the road) to the Croft (just across town), there might be a trek involved to be able to see OPM tonight, but it’s worth it to see the band in action. This is their first UK headline tour for a long time, as they continue to tour and play shows off the back of their enormo single Heaven Is A Halfpipe which originally came out in 2001. It seems hard to believe that it was so long ago, but those in attendance tonight have clearly not forgotten the impact it made when it dropped all those years ago. 

It packs enough of a punch and enough of a reputation to bring a fair few people down to the Croft on this evening to witness them in action, even if there is a seemingly large elephant in the room throughout whilst the majority of the crowd wait in earnest for “the hit” to drop.

First off though, as they set up, the most noticeable fact is that the between set tape is a collection of classic wrestling theme tunes from yesteryear; it’s fucking genius, and I may well just start the petition to demand that every band in the world should adopt the same approach as they set up for their sets – it’s awesome.

As OPM take to the stage at 10pm, they crack through a big chunk of their catalogue, and as enjoyable and fun as they are to watch on a Tuesday night down in Bristol, they do ultimately lack more than a handful of killer songs.

That doesn’t really matter though, as they are a solid enough band to put on a show, and they are watchable all the same; hell, there are certainly a million and one other worse things you could be doing right now. It’s a great night. They bring a little bit of the Cali sun into the Croft, and their rock, rap and reggae infused tunes put a smile on everyone’s faces.

The band are in good spirits, and peak with a cracking El Capitan and a powerhouse (almost pop-punk esque) run through of a track called Runaway, a song I had never heard before, but which hit all the right spots. It’s a killer tune.

Soon enough, towards the latter reaches of their set, they drop Heaven Is A Halfpipe to a huge response. It goes down a storm, a fair portion of the crowd leaving soon after (which I don’t agree with at all), but makes this evening more than worthwhile for all that have ventured down. A little bit of The Beastie Boys’ Sabotage, and a cover of The Clash’s Should I Stay Or Should I Go do go well also this evening, but it’s the immortal Heaven Is A Halfpipe that kills it tonight; even a slightly reworked version cannot dampen it’s greatness.

When you write that hit, you just gotta ride it until you can no more; OPM are still riding that wave over a decade later, and that is just desserts for a band that penned one of the most pivotal and defining songs of a generation.

It’s great to see them over here on a rare tour, and great that quite a few people came out to greet them; that, over 10 years later, is the true marker of a great song, which clearly affected a lot of people.

It doesn’t get much better than that on a Tuesday night in Bristol.

Enjoyable stuff . . . and . . . oh yes . . .gig season is back with a bang . . .

This is only the beginning!!!


August 2012 – The month in music (and everything else . . . )